"Alan's Psychedelic Breakfast", the 12-minute opus that ends the album, does the same thing, floating for several minutes before ending on a drawn-out jam that finally gets the piece moving. Of these, Waters begins developing the voice that made him the band's lead songwriter during their classic era with "If," while Wright has an appealingly mannered, very English psychedelic fantasia on "Summer '68", and Gilmour's "Fat Old Sun" meanders quietly before ending with a guitar workout. Then, on the second side, Roger Waters, David Gilmour and Rick Wright have a song apiece, winding up with the group composition "Alan's Psychedelic Breakfast" wrapping it up. Still, it may be an acquired taste even for fans, especially since it kicks off with a side-long, 23-minute extended orchestral piece that may not seem to head anywhere, but is often intriguing, more in what it suggests than what it achieves. If anything, this is the most impenetrable album Pink Floyd released while on Harvest, which also makes it one of the most interesting of the era. Fifth re-release of the fifth full-length studio album by legendary British Psychedelic/Progressive Rock band.Īppearing after the sprawling, unfocused double-album set "Ummagumma" (1969), "Atom Heart Mother" may boast more focus, even a concept, yet that doesn't mean it's more accessible.
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